Indices

Discourses in Music: Indices

Essays
(alphabetical by author)
Dana Astmann Freylekhe Felker: Queer Subculture in the Klezmer Revival Discourses in Music 4:3
See also: Response by Christina Baade in Discourses in Music 5:1 (Spring 2004)

Sean Bellaviti Perception, Reception, and All That Popular Music: An Interview with Alejandro Viñao Discourses in Music 6:2

Sarah Carleton A rose is a rose is a rose?: The Rose as Symbol in the Ars antiqua Motet Discourses in Music 5:1

Alexander Carpenter Schoenberg's Erwartung and Freudian Case Histories: A Preliminary Investigation Discourses in Music 3:2

Colin Eatock Serge Koussevitzky Discovers America Discourses in Music 4:2
See also: Response by Eleanor Johnston in Discourses in Music 4:3 (Summer 2003)

Jay Hodgson Unpacking the CD Library Discourses in Music 3:3

Leslie Kinton How We Got Out of Analysis and How to get Back In: A Polemical Re-Appraisal of Joseph Kerman Discourses in Music 5:1
See also: Response by Sandy Thorburn in Discourses in Music 5:2 (Fall 2004)
See also: Response by Leslie Kinton in Discourses in Music 6:1 (Summer 2006)

Lowell Lybarger On Musicians' Speech About Music: Musico-Linguistic Discourse of Tabla Players Discourses in Music 2:2
See also: Response by Margaret Walker in Discourses in Music 3:1 (Fall 2001)

Teresa Magdanz Classical Music -- Is Anyone Listening? Discourses in Music 3:1
See also: Response by Caroline Matt in Discourses in Music 3:2 (Winter 2001-2002)

Roger Mantie Interview with Christopher Pierce, 23 Jan 2006 Discourses in Music 6:2

James McGowan Understanding Jazz Styles Through Sociolinguistic Models Discourses in Music 4:1

Brian McMillan Complicitous Critique: Dancer in the Dark as Postmodern Musical Discourses in Music 5:2

Tim Neufeldt Italian Pastoral Opera and Pastoral Politics in England, 1705-1712 Discourses in Music 5:2

Karen Pegley Toronto 2000: Local, National, and Global Intersections Discourses in Music 1:1
See also: Response by Benita Wolters Fredlund in Discourses in Music 2:1 (Fall 2000)

Jiri Smrz Symphonic Marxism: Sovietizing Pre-Revolutionary Russian Music Under Stalin Discourses in Music 4:3

Drew Stephen The Wind Quintet in Canada: Legacy and Promise Discourses in Music 4:2
See also: Response by Sam King in Discourses in Music 4:3 (Summer 2003)

Sandy Thorburn What News on the Rialto? Discourses in Music 4:1
See also: Response by Colin Eatock in Discourses in Music 4:2 (Spring 2003)

Sandy Thorburn At Last, A Bird's-eye View of the Elephant Discourses in Music 4:2

Janette Tilley Eternal Recurrence:  Aspects of Melody in the Orchestral Music of Claude Vivier Discourses in Music 2:1
See also: Response by Ross Braes in Discourses in Music 2:2 (Winter 2000-2001)

Robert Torre Operatic Twins and Musical Rivals: Two Settings of Artaserse (1730) Discourses in Music 6:1

Jamie Younkin "Sing We and Chant It:" Revisiting Some Musical Terminology Discourses in Music 3:3
See also: Response by David B. Pruett in Discourses in Music 4:1 (Fall 2002)


Insights and Outlooks
(chronological)
Sandy Thorburn Insights and Outlooks: Teaching the Other Music Discourses in Music 3:3

Benita Wolters-Fredland Insights and Outlooks: Criticism from the Inside Out Discourses in Music 4:1

Dr. France Fledderus Insights and Outlooks: Why Highfalutin Language Has To Go Discourses in Music 4:2

Colin Eatock Insights and Outlooks: On Waking Up in the Year 2003 Discourses in Music 4:3

Sandy Thorburn Insights and Outlooks: Getting Serious With Series Television Musicals Discourses in Music 5:1

Jamie Younkin Insights and Outlooks: Musical Scholarship and the Business of Education - An emphatic re-statement of the known circumstances Discourses in Music 5:2

David Ogborn Insights and Outlooks: Watch what you wish for, it just might come true Discourses in Music 6:1


Reviews
(chronological)
Leslie Barcza Pelléas et Mélisande Discourses in Music 2:1

Jiri Smrz Sublimating Ontario History: Gary Kulesha's new opera at the University of Toronto Discourses in Music 2:2

Sandy Thorburn Internet Reviews Discourses in Music 3:1

Jessica Agrell-Smith Sincere Dedication to Contemporary Music at Massey Hall's NuMu Festival, Toronto, November 2001 Discourses in Music 3:2

Teresa Magdanz A Catalog of Music Rolls for the Wurlitzer Military Band Organ Style 165 Discourses in Music 3:2

Teresa Magdanz Denora, Tia. Music in Everyday Life. Cambridge; New York: Cambridge University Press, 2000. 181 pp. Discourses in Music 3:2

Benita Wolters-Fredlund Robin Elliot and Gordon E. Smith, eds. Istvan Anhalt: Pathways and Memory.Montreal & Kingston: McGill-Queen's University Press, 2001. xx, 475 pp. ISBN 0-7735-2102-X (hardcover). Discourses in Music 3:3

Alexander Carpenter Arnold Schoenberg's Journey, by Allen ShawnNew York: Farrar, Straus and Giroux, 2002. pp.340 Discourses in Music 3:3

Dana Astmann Student Conference at University of Toronto Discourses in Music 3:3

Dana Astmann Horst J. P. Bergmeier, Dr. Ejal Jakob Eisler, Dr. Rainer E. Lotz Vorbei... Beyond Recall: Dokumentation jüdischen Musiklebens in Berlin 1933-1938/ A Record of Jewish musical life in Nazi Berlin 1933-1938. Hambergen: Bear Family Records, 2001. Book, eleven CDs, and one DVD Discourses in Music 4:1

Margaret Walker Naomi Cumming. The Sonic Self: Musical Subjectivity and Signification. Bloomington and Indianapolis: Indiana University Press, 2000. [370p. ISBN 0-253-33754-2] Discourses in Music 4:1

Tim Neufeldt Ellen Harris. Handel as Orpheus: Voice and Desire in the Chamber Cantatas. Cambridge, Massachusetts and London, England: Harvard University Press, 2001. xi, 430p. Illus., port., bibliog., index ISBN 0-674-00617-8. Discourses in Music 4:2

Luis-Manuel Garcia Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer. By Bruce W. Holsinger. Stanford: 2001. [357 p., $24.95 US paperback/$65.00 hardcover] Discourses in Music 4:2

Kate Galloway Martin Clayton, Trevor Herbert and Richard Middleton. The Cultural Study of Music: A Critical Introduction. New York and London: Routledge, 2003. 368 pp., figures, bibliography, list of contributors, index. ISBN 0-415-93845-7 (paperback). Discourses in Music 5:1

Sarah Carleton Hughes de Courson. Lux Obscura, EMI/Virgin Classics, 2003. Discourses in Music 5:2

Luis-Manuel Garcia Hughes de Courson. Lux Obscura, EMI/Virgin Classics, 2003. Discourses in Music 5:2

Jamie Younkin Sanctuary, The heart has its reasons. Warner Classics, 2005. Discourses in Music 6:1

Mark Laver Still Life with Commentator Vijay Iyer & Mike Ladd, Savoy Jazz, 2007 Discourses in Music 6:2


Miscellaneous
Note: News, calls for papers (current and past), and other temporally-local items are not included in these indices.
Brian McMillan A Letter from Around the (Golden Horseshoe) Bend Discourses in Music 2:1

Janette Tilley, Jessica Lovett and Sandy Thorburn, University of Toronto Accommodation Info - Intersections 2000, Toronto Discourses in Music 2:1